Akeem Smith: No Gyal Can Test
- April 16 – July 30, 2021
- Friday – Sunday
- 12:00 pm – 7:00 pm
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Satellite installation in collaboration with New Canons
1945 Webb Street
RSVP to reserve your visit
Archiving the Black Diaspora: Akeem Smith
in conversation with Michael Stone-Richards
Creative Boost @ College for Creative Studies
in partnership with Red Bull Arts Detroit
Wednesday May 12
RSVP here to attend
Red Bull Arts is pleased to present Akeem Smith: No Gyal Can Test, on view from April 16–July 30, 2021. Following its critically acclaimed debut in New York, an expanded presentation of the artist’s solo exhibition travels to Red Bull Arts Detroit, featuring new sculptures and site-specific video and audio installations. Smith’s exhibition traverses the slippages between memory, the archive, and history, excavating the personal photographs and videos entrusted to the artist over the past decade by various family members, friends, and pivotal figures of Kingston’s dancehall community.
Drawing upon his experience growing up between New York and Jamaica, Smith harmonizes disparate elements from this extensive archival documentation, which chronicles this seminal era from the early 80s through y2k, conjuring a collective memory that otherwise would have only existed on the threshold of the artist’s own. Part poem, part anthropological homage, No Gyal Can Test forms a layered exploration of spectral coloniality, diaspora, and the voyeurism that results from transposing these artefacts across cultural, economic, and temporal divides.
While the exhibition acts as a love letter to the culture that raised him, Smith also refuses the tidy representation that often results from retrospection. In looking through his archive, the unacquainted might simply see a community centered around celebration; to those familiar, however, it is messy, personal and hierarchical, with loyalties, gossip, highs and lows, and the knowledge of where everyone ended up. This interwovenness challenges the still common idea that there is any one, primary history to which these regional, “vernacular,” or personal histories are secondary.
Reuniting these lineages–previously overdubbed, printed as doubles, and circulated across diasporic currents–for the first time, Smith’s photographs and video coalesce as lyrical reconstitutions of a lost world. Framed by demolished architectural remnants salvaged and transported from his childhood neighborhood of Kingston’s Waterhouse District, the women of the dancehall are deified in multi-channel video installations and monumental sculptural assemblages studded with period garments and accoutrement as the larger-than-life figures remembered from his adolescence.
The hybridity of Smith’s artistic practice is a throughline across his work as an artist, designer, stylist, and creative director—a career that repeatedly conjures the type of women who raised him, a woman who moves without pause between different worlds. As an insider and outsider, Smith can uniquely navigate the gap between Jamaican culture and the artworld, the aspirations of dancehall and the realities of its legacy, a private world made public through its circulation, and the often conflicting roles of the documented and the documentarian.
As part of the exhibition, Smith has collaborated with sculptor Jessi Reaves to create custom mannequins, the British fashion designer Grace Wales Bonner to design Red Bull Arts gallery attendant uniforms, and musicians Total Freedom, Physical Therapy, and Alex Somers to create original scores and audio works featured throughout the presentation. Additional No Gyal Can Test will be open Fridays, Saturdays, and Sundays from 12pm-7pm. Please reserve your spot here.
Please note that advance appointments are encouraged, but not required as capacity will be limited and attendees must wear a facial covering at all times. Click here to learn more about Red Bull Arts expanded healthy and safety measures.